Racial appearance

Character racial appearance

Facial adjustments in the Alpha-2 character creator (first pass).

There is a great variation that's going to be available from a character standpoint when creating your character, especially around the face. Whether it be the shape of the jawline, the cheeks, the ears, the nose, the lips. You know we want to provide a lot of options and an agency to the player to customize their character appearance. – Steven Sharif

Alpha-2 Py'rai female and male character models.

Character appearance can be customized in the character creator (CC) and via in-game salons/barbershops.

We want there to be a lot of room for people to manifest their own identity, to role play how they want to from an appearance standpoint. There's going to be parameters within which you will be able to customize a character. We want the culture and the identity of the races to exist in a range that makes them easily identifiable from other players and other cultures. So, because of that, we have to have a spectrum you can exist on. There will be a lot of hair variants you can do, body art tattoos that you can apply. You'll be able to play with the scales of the facial structure, the bones, the height, width, the body fat percentage. You'll be able to add body hair on different parts of the body. If you want to have hair on your feet, you can dial that up. – Steven Sharif

• Character models are focused on realism.
• A player will see a generic character before customization.
• Character designs will have influences from a wide range of cultures, such as European, African and Asian.
• Lolis will not be in the game.
• Sliders and other controls, such as color palettes, will offer flexibility in customization but there will be limits based on race, gender, and the artistic style guidelines that the developers are adhering to.

There's going to be constraints to the sliders, so that was one of those big questions as work began on the character creator: How much agency do you want to allow pulling like the lower lip all the way down in this weird deformed look, or having like [an] offset cheek that's just asymmetrical to the side of the face. There's not going to be the ability or agency to create those types of weird character things. However you will have the ability to move, slide, change, grow, decrease all those components, but they'll be kept in a more reasonable and presented way in the same sense you won't be able to change the appearance of the dwarven, nor the Dünir or the Niküan races to, in my opinion, create what would be traditionally considered a Loli character. – Steven Sharif

قلاخلا فرح

Scars in the Alpha-2 character creator (first pass).

The cool thing about this character creator is that it's not just intended for your character. It has application with NPCs that you might hire. – Steven Sharif

We're gonna use similar tech for implementing things like Animal husbandry. – Zachary Mallet

Kaelar Alpha-2 character creation (first pass).

This tech is 100% created in-house at Intrepid and is not metahuman. – Steven Sharif

We'll be adding many, many more customization options to the character creator. – Cody Peterson

The character creator (or character customization system) allows players to define the look of their in-game characters, hired NPCs; and potentially creatures raised by the animal husbandry profession.

• Character appearance can be adjusted through a wide range of presets and sliders.
• Character blending provides easy to use customization by morphing together two or more character presets.
• Character sculpting allows detailed customization of every aspect of the body.

The Ashes of Creation character creator is 100% developed in-house by تاهويدوتسا لساب and is not MetaHuman.

Additional character creator features include.

• There will be unlockable features for character customization.

You have that scar because you participated in this siege, or these many sieges; or you have this tattoo because of your of a cultural background, or because of a quest that was accomplished where you're able to get that. – Steven Sharif

• The ability to save and potentially to share characters with other players.

The beauty of it is that you can save your character- and we already have some of those features available- and load them; and in the future we want people to be able to share those characters amongst each other. – Margaret Krohn

• The ability to undo changes (Ctrl + Z) will be supported, including undoing changes that were made several edits earlier.
• Choosing base idle animations of characters will be possible in future.
  • Certain animations, such as blinking, will be present when they don't interfere with the customization process.
• Certain ability sound effects will adhere to character customization selections, such as race.
• Adjusting the background scene and lighting is a planned feature.

There's going to be a lot of environmental controls that are offered to the character creator so that people can set it up their scene the way they want to grab screenshots or to grab recordings or whatever they want to do. – Steven Sharif

• Asymmetry in terms of manipulating different components of the body or different body features such as hair, beard, and eyes.

Asymmetry is going to be functionality that's possible in manipulating either different components of the body or different features like hair. The beard we saw a little bit of that blending with highlights that you can do. Margaret talked a little bit about the eye asymmetry that you can include. Obviously those are going to exist within certain parameters that we want to define on a per-race basis, but it is something that we think is cool. – Steven Sharif

• Body adornments, such as piercings will be possible within cultural limits.
• The developers are considering whether to allow custom tattoos to be uploaded by users.

The aim is for the character creator to be on par if not much better than that of BDO.

Dünir dwarven appearance

Latest Dünir female character concept art.

The female Dünir models have received some upgrades!

• Facial hair has been portrayed on Dünir male and female characters, and Niküa male characters.
• Body hair may also be a character customization option for female Dünir.
• The developers updated the Dünir dwarves' design to have a more stout traditional fantasy appearance based on feedback from Alpha-1.
• Niküa dwarves have a "halfling" appearance.

.ﺔﻴﻟﺎﺤﻟﺍ ﺮﻳﻮﻄﺘﻟﺍ ﻖﻳﺮﻃ ﺔﻃﺭﺎﺧ ﻲﻓ ﺓﺩﻮﺟﻮﻣ ﻥﻮﻜﺗ ﻻ ﺪﻗﻭ ﻦﻳﺭﻮﻄﻤﻟﺍ ﻞﺒﻗ ﻦﻣ ﺍﺮًﺧﺆﻣ ﺔﻴﻟﺎﺘﻟﺍ ﺕﺎﻣﻮﻠﻌﻤﻟﺍ ﺾﻌﺑ ﺪﻴﻛﺄﺗ ﻢﺘﻳ ﻢﻟ

• Facial hair is characteristic of the Dünir, not the Niküa.
• Female Dünir beards will not match that of the male. It will be more of a braided option that is not as voluminous.

Tulnar appearance

Tulnar character model concept art of the three base influences.

There's a number of minor races and major races that all sought refuge within the Underrealm and we talked about how this particular player character race was going to have a pretty unique approach when it comes to character customization because with that background there comes different species influence in the race itself and we want players to be able to dial up or down those influences as they see fit between the humanoid, the simian or mammalian, and the reptilian influences; and as you dial those things up, your base body- if it exceeds a certain percentage threshold- will assume the form and stance of one of three primary types of influences that exist for the Tulnar. And now what you're going to see is those three distinct influences and you can be of course a hundred percent in one if you wish and you'll be very similar to what you're going to see here from the concepts; or you can mix-and-match and you can blend between the different influences. – Steven Sharif

The Tulnar race does not have sub-types. Instead, players will be able to significantly customize the appearance of Tulnar characters based on three base influences; or blend between these different influences.

• Simian (or mammalian).
• Bestial/feline.
• Reptilian.

تاقابس are primarily humanoid in appearance.

• There are feline and bestial components that can be scaled up when creating a Tulnar character but Tulnar do not equal furries.
• Catgirl and Loli Tulnar are not able to be created.

Tulnar do not equal furries, but there are definitely some bestial components that you can scale up when you're creating your Tulnar character, so you could max that setting I guess. Whether or not that would give you what you would think of as a furry, I guess it's going to be up to your interpretation of what a Furry is. – Steven Sharif

• The Tulnar do not have avian characteristics. The sentient avian races (such as the Sladeborne) did not take refuge in the يلفسلا ملاعلا.

Q: Will character creator allow us to make Tulnar that might look somewhat like Kobolds from Pathfinder or DnD?

A: I wouldn't say exactly, but there's definitely elements of Kobolds that you could incorporate in a character creator with the Tulnar, yes. – Steven Sharif

.ﺔﻴﻟﺎﺤﻟﺍ ﺮﻳﻮﻄﺘﻟﺍ ﻖﻳﺮﻃ ﺔﻃﺭﺎﺧ ﻲﻓ ﺓﺩﻮﺟﻮﻣ ﻥﻮﻜﺗ ﻻ ﺪﻗﻭ ﻦﻳﺭﻮﻄﻤﻟﺍ ﻞﺒﻗ ﻦﻣ ﺍﺮًﺧﺆﻣ ﺔﻴﻟﺎﺘﻟﺍ ﺕﺎﻣﻮﻠﻌﻤﻟﺍ ﺾﻌﺑ ﺪﻴﻛﺄﺗ ﻢﺘﻳ ﻢﻟ

• Mammalian Tulnar may have snout features, fur and inverted knees.
• Reptilian Tulnar may have more circular eyes and head shape, and scaly skin.

Artistic style

Ren'Kai architecture concept art.

Part of the biome that the Ren'Kai are accustomed to is a more swamp or marsh oriented, so they have these almost stilt-like foundations on some of the assets because they're intended to sit above that marsh. – Steven Sharif

Ashes of Creation will have a higher graphical fidelity than most western games. It will not be too stylized or "cartoony".

We can push the limits a little bit on the graphical fidelity, especially using Unreal Engine 4... My desire was not to see very cartoony games. I'm not a big fan of highly stylized art. – Steven Sharif

• The game will not have steampunk elements.

It's not to say that people can't do steampunk well. I've enjoyed some steampunk stuff. I'm a very high fantasy oriented type of storyteller; and the inspiration for Ashes obviously comes from my pathfinder campaigns that I ran long ago; and those are always set in a high fantasy world. So it just compromises what I believe is the perspective of the storytelling in the environment. – Steven Sharif

• تاهويدوتسا لساب does not use AI for art production.

We do not use AI for production, except in unique internal cases when communicating fast reference material. – Steven Sharif

Artistic influences on the races

Asian influenced Ren'Kai architecture.

Character races are super important. These are the choices that we make at the onset of our adventure in an MMORPG: what race- not just mechanically aligns with our decisions, if those races have game mechanics behind them from a stat perspective, but visually and culturally and historically: What are these? What do these races represent? So it's important that visually they're distinct. And everyone's seen fantasy games do Elves, so everyone's seen them do Humans, everyone's seen them do Orcs: There's an established expectation almost behind what these traditional fantasy races represent; and there's a risk, because whenever you're creating a new IP or a new story or a new world- a new Universe; a realm in which things don't have to always be the norm, you can take a little bit of creative liberty to redefine some of the aspects of a particular race; and that can be a good thing, because it's something that is new to players. It's something that is unique to the realm that we're building- the surroundings that you have. So what we wanted to do was push a little bit more on the unique side of what the Py'rai would look like from a visual perspective. – Steven Sharif

• Aelean architecture has a French medieval influence.
• Dünir have a Nordic cultural influence.
• Empyreans have a Greco-Roman imperialistic feeling.
• The Kaelar have a European influence.
• The Niküa have a Polynesian influence.
• The Py'Rai have a Navajo Native American influence. Py'Rai architecture has a woodland inspiration.
• Pyrian architecture has a Greco-Roman influence.
• Ren'Kai architecture has an Asian influence.
• The Vaelune have a Middle Eastern influence.
• The Vek have a Mesoamerican influence.

You will see in the different races that are available from a player character standpoint a lot of different influences that reflect many cultures in the world: Not just European, not just Africa, not Mesoamerican. These cultures are going to be present in many of the races. – Steven Sharif

The idea is just to find a base component in the real world as a starting point and then to begin to fantasize. – Steven Sharif

Weapon and armor appearance

عرد racial appearances in early Alpha-1.

Violet light and myself are wearing exactly the same armor set right: Same stats, same everything, but it drops for her it looks one way, it drops for me it looks another way; and... a small part of that is gender, but then the other part of it is race. So because I was a Vaelune in that playthrough my armor was in the Vaelune style; and when she picked it up it was in the elven style because she was an elf. So that gives you an example of sort of the breadth of looks that we're going for and how we try to capture like who you are as as a character and allow you to build your look that way. – Jeffrey Bard

Dünir and Empyrean racially styled armor concept art by Keith Kovach.

We have essentially sets that exist across all races; and each race that dons those armor sets is going to have their own racial influence on the presentation of those particular sets. So that's something that's unique in how each of the races get diversified. – Steven Sharif

هحلسالا and armor are not race locked, but armor will take on a racial appearance.

The customization of equipment per race is really focused on Armor sets not Weapon props. Weapon props will, from a model standpoint, will translate pretty one-to-one across the races. – Steven Sharif

• Racial appearance of gear is focused on عرد. هحلسالا will not change in appearance but will scale in size based on race.

Let's say for example you have the Eagle set or something, right: The Eagle set has in art, it has a thematic design that's going to include certain attachments to the armor. It's going to include color palette and theme. It's going to have some aspects to it that define it as the Eagle set, right. When a Elf wears the Eagle set or when an Orc wears the Eagle set, you obviously have two different cultures there; and you don't want to stomp out that culture by assigning a de facto 'This is the Eagle set and this is how it looks on everybody.' What we want to have is cultural influences play a role in showing how that set looks. – Steven Sharif

• Racial appearance of gear sets is tied to the character model of that race.

When you say, what if I'm an Orc but want to look like an Elf and I want my Eagle set to be the Elf representation? Well the issue becomes there that Orcs have a different organic model. You know, their body is different than that of the Elf. So, from a scope-creep standpoint, it's one thing to add different influences that represent the cultures that are donning the armor; it's another thing to adapt each influence as a matrix that can be worn pretty much by everything. From a scope perspective, that's a very difficult task for the character artists to tackle. So instead what we've done is, in order to facilitate a variety of cultural representation between the races but allow for the sharing of assets like different armor sets, we give different representations of those armor sets to each race. – Steven Sharif

Q: Since a single armor set will look different on each race, how will we have large varieties of in-game achievable gear for each race if we have to make nine different looks for each set?

A: The approach for that is to create a modular piece set for armor creation; and the way we achieve that is by two steps: So, on the modeling side, each race has these geo sets basically where you're creating pieces of the armor for heavy plate armor, for medium, for robes; and you get to grab those modular pieces and mix and match as design makes a request for a particular set to the art teams. So, design comes along and they say, "hey we have a theme for a set that we want to create", so let's use Carphin in that example; and that theme from design's standpoint is going to include color, it's going to include materials, it's going to have an etymology for the set to give a background so that they can incorporate certain types of attachments- whatever they want to include on the art side. Then, the character team says, "okay let's take our base sets of geo and let's mix and match those pieces to create the Carphin set and then we're going to do a materials pass on it, and then we're going to do a color pass on it"; and that way we have a lot of essentially pieces of the puzzle to create these many different unique sets. Now we can also deform pieces across from race to race. So, even if we create unique geo on a per-race basis, we can grab the pauldron from the Human set and put it onto the Vek representation; and the end game there is that we have a particular set, for example Carphin, and that Carphin is communicating the theme; and when you don the armor for the Carphin set- you've acquired the Carphin set and you put it on- it is going to look Vek if you're a Vek. It is going to look Kaelar if you're a Kaelar, but it is still going to have the identity and the theme of the Carphin set. – Steven Sharif

Ashes of Creation Apocalypse modular armor

Kaelar base level Ashes of Creation Apocalypse robe set.

You can start to see like some of the components that we put together that we can mix and match and make new armors from. This is the base chassis for all of that. – Jeffrey Bard

Your base look for the character can be pretty boring, but what Steven gave us a challenge with from day one was to make sure even the base look, the t-shirt and pants, looked amazing... This is your zero character, if you will... Then you can go in and customize everything from the shoulder pads to the elbow pads, the belt that goes around them; do you want duel belts, you want to harness the clothes in the front. So every piece you see on here you can actually customize that at the front end. So what we do is we scale that up from zero, ten and twenty... We scale it up and we customize it; and then I want to really stress that each one of those looks as you progress is different. We're not just repurposing the same armor pieces. We're making unique sets that complement each other as you progress. – Mat Broome

Ashes of Creation Apocalypse will have three different armor themes: Plate, leather and robe.

You can actually have three different types of themes: You have plate, you'll have leather and you'll have robe. So for every armor set that we're showing at each one of those tiers, you're actually gonna have nine unique looks to pick from. – Mat Broome

Racial influence on node development

Racial architecture of the same Village ( ﺡﺮﺴﻤﻟﺍ 3) node on different servers. Dünir Dwarven influence (top). Kaelar Human influence (bottom). Alpha-1 NDA ﺮﻴﻏ ﺔﺷﺎﺷ ﺔﻄﻘﻟ.

The layout and architecture within a Node’s development area are determined by influential race. For example, a stage 3 Node with the majority of player contribution being Py'rai would have a Py'rai village with Py'rai architecture. Most NPCs would be Py'rai elves, and offer questlines within the Py'rai narrative. – Margaret Krohn

Each player’s contributed experience is flagged with their character race and other identifiers. When a Node advances, the race with the highest experience contribution determines the Node’s style and culture. This style and culture change can happen at every Node Stage. For example, if a Node advances to Level 2 - Encampment Stage and 51% of all experience was earned by Ren’Kai players, the Node will be a Level 2 Ren’Kai Node. If that same Node advances to a Level 3 - Village Stage Node, but the Py'Rai contributed 62% of all the experience earned, then the Node will be a Level 3 Py'Rai Node. – Margaret Krohn

Node layout and style is determined by several factors:

The way that the node system is built is that they can exist across a spread of 18 biomes, but at the same time have to represent the cultural influence of these cultures that are intrinsically a part of a specific biome. – Steven Sharif

• Environment (biome) and location of the node.
  • Nodes will adjust the local topography to fit the aesthetic and mechanical requirements of the node.

Currently the way that the platform system is set up, is it's capable of adjusting the topography of the node's footprint, regardless of the surrounding terrain. So the reason for that is we want to have flexibility in the presentation of the node's layout and how it is essentially both from an aesthetic standpoint as well as a mechanical standpoint with node sieges- how it's constructed and that construction should have the ability to take on a variance of different types of topography. So it shouldn't be dependent on the surrounding area. Now that's not to say that the surrounding area isn't going to have some influence over. So for example... we're experimenting a little bit with the platform tech and putting up a node up against the side of a mountain or on the edge of a cliff or something that has a beautiful vista. Those are things that we're going to test out obviously as we continue to work on the node tool and how that platform system works, but the idea is to have the node independent of the surrounding terrain. – Steven Sharif

• Node type.

Some parts are determined by the area it's in. Some parts are determined by the type it is. Some parts are determined by the race it is; and then the rest of it is determined by the mayor. – Jeffrey Bard

• Race that contributed the highest percentage to the node's advancement will alter the racial appearance of its buildings, NPCs, and props.
  • Parent races do not combine their cultural influences. For example, Py'Rai and Empyrean count as different cultures. Their parent race, the Pyrian, no longer exists.
  • This style and culture change happens at every stage.
  • This applies to all nodes, including castle nodes.

All nodes, whether they're associated with a castle or associated with normal node structure, has cultural influences that replicate over to the buildings that are produced and the NPCs that are present. – Steven Sharif

• The rest is determined by the node's mayor.
  • It should be possible for a node to complete several building projects within a mayor's one month term in office.

Q: How long would you say it will take players on average to fill/build up a node completely from wilderness to metropolis?

A: It's one thing to get a node to a certain level: it's another thing to develop the node; and I can't really give you an on-average expectation, because there's a lot of variables at play. There's how many citizens does the node have attracted to it; what's the type of traffic that the node is attracting to it based on things like its tax rates, or the specialization that it chose to spec into, based on the building types it's chosen to build. All of those things are variables that can affect the quote-unquote "average build-out time" of a particular node. So it's difficult to give you an average when there's so many variables along those lines. But the idea is that if there is a particular project that players are interested in in developing based on the node stage, that they would have the ability to complete several of those projects as within a single term of a mayor; and a term of a mayor is one month. – Steven Sharif

Starting areas

Alpha-1 early preview starting area.

There is no railroaded driven theme park experience here. You will have the opportunity to create your own destiny in that regard, which means you don't have to necessarily follow the quest line nor do you have to participate in events or experiences around the starting area. Now it may be more beneficial to do that; and in that regard I guess there could be a meta around doing that, but you could branch out proceed to other areas and do different content. – Steven Sharif

Alpha-0 Empyrean starting area concept art.

Starting areas (starting zones) are located in the ruined cities of the four ancient races of Verra.

• Starting areas are located near one of the four divine gateways where players spawn into the world.
  • The Tulnar have a starting area without a divine gateway. They have the same option of starting at any of the divine gateways as other races.
  • Starting areas have some distance between them.

• Each race has its own starting area.
  • Players may choose their starting gateway regardless of their choice of race.
  • مامتهالا طاقن exist that represent Tulnar NPC structures in a similar fashion to the starting areas around divine gateways.

• Starting areas include expeditionary NPC settlements that serve as initial quest origination points. ملعلا-wise, these settlements represent scouts that were sent ahead of the main expedition back to Verra.
  • These settlements are designed to acclimatize new players entering the world.
  • While it may be advantageous to do so, there is no requirement for players to play through any specific starter zone content.

• Starting areas are not tied to the node system.

A problem that a lot of MMOs have is that those starting areas become just vacant of players and it's so sad because the greatest aspect of an MMO is that community that you get to experience, so one of the great things about the node system is that it really works from new player acquisition standpoint, where these nodes tend to develop larger near the starting location areas around the world; and it brings these players back to those locations if they're citizens and want services within those cities. So, as new players enter the world they're going to actually be surrounded most likely by more population because people are coming back to those larger nodes. – Steven Sharif

Tulnar starting area

Points of interest will exist that represent Tulnar npc structures. In the similar fashion that the starting areas around divine gateways will include expeditionary npc settlements not tied to the node structures but serve as initial quest origination points. – Steven Sharif

Tulnar have a starting area that does not involve a divine gateway.

• مامتهالا طاقن exist that represent Tulnar NPC structures in a similar fashion to the starting areas around divine gateways.

• Tulnar have the same option of starting at any of the divine gateways as other races.

Tulnar have the same option of starting at any of the divine gateways. Their civilization, though within the underrealm, has also begun to explore the surface. – Steven Sharif

Unlike the other races, the Tulnar won’t be returning to Verra. Instead they will be returning to the surface from the يلفسلا ملاعلا for the first time in generations.

• The يلفسلا ملاعلا itself does not have a divine gateway.

Racial mounts

Characters are able to obtain racial mounts via a quest in that race's starting area.

Each starting area will have a different quest line that will yield a different type of starting mount. But by default you don't just choose human and here you get a horse, so to speak. Because you can be a human in our game and choose to start in a different racial area- at a different Divine Gateway- and as such then you could follow the quest line that gives you the Orc mount. – Steven Sharif

See also

• تاقابس
• Character appearance